I can’t imagine the burden of being known and pursued wherever one goes. A walk down the street becomes like stepping out of the tent in the Canadian far north. The “fans” like mosquitoes, immediately swarm, wanting any possible memento of their brush with celebrity; in lieu of blood they will take autographs, photos of themselves with the star, and of course the best would be some personal item like the lock of Galadriel's hair, so treasured by Gimli. It is a pleasure to meet someone at the top of their game that still remembers the humility of the regular folk. Of course, as the photographer trying to do a portrait, the immediate attention from the passersby made photographs impossible.
Anthony Hopkins related to me a story of growing up in Wales, going to see a famous singer, who spurned him and his father, to the great shame of the patriarch, and the effect it had on his relation to his fans. And I found him to be constantly gracious. The only time I was able to get a good photo, was a moment outside the Il Borro Vineyard when noone was around, and of course there is only one good frame: Anthony Hopknins, on the direction of the photographer, leaning on the Maserati (loaned in hopes of association with the celebrity.)
Of course, I can’t deny that having a portrait of the actor won’t hurt my portfolio... and the circle goes round.
14 August 2009
HOPKINS
Labels:
Anthony Hopkins,
Cortona,
fine art,
Gimli,
Italy,
J Henry Fair,
Maserati,
photography,
portrait,
Silence of the Lambs,
Tuscany,
Wales
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