Earth Day events in New York have traditionally been the result of many concerned citizens voicing their fears about the damage done to our life support system, a bit like the raucous 60s we all like to remember so fondly. The centerpiece event at Grand Central Station has always had the same manic feel that we associate with “the good old days.” And of course, it’s difficult to maintain momentum in spontaneously organized, issue-based grass roots organizations, especially as they accumulate staff and equipment.
Strolling around the Earth Day exhibit at Grand Central this year, I was struck, not so much by the environmentalist fervor of the event and participants, but by the mercantilist nature of the event. Leggy, breathless blonds touted the efficiency of washing machine/dryer combinations (as if a dryer were not the most earth-unfriendly device made). A life-sized mural of models, photographed in a “life-style” manner, urged us to buy some brand of apparel “for the good of the planet” (buying organic cotton is good, as cotton is the crop on which the most pesticides are sprayed). Toyota was there with the Prius, which is unavailable, due to the seismic sea wave (not tidal wave) and accompanying nuclear disaster. And there were a few moms and kids milling about with crayons and happy faces. But the overarching message (maybe I’m a cynic) was: buy Buy BUY!
I’m the first to believe that we can change the world by careful choices of what we buy; as a matter of fact, I think it’s ultimately the only effective vote the individual has. Our real problem is heedless consumerism, on every level, whether it’s buying the new iPhone or leaving the lights on, it’s our consumption binge that is the problem. That means you and me.
Showing posts with label green. Show all posts
Showing posts with label green. Show all posts
03 May 2011
15 March 2011
Sing A Different Tune
Even when traveling to speak, I want to carry an image recorder. And if I’m going to spend the time to make the images, I want the result to be worth printing and keeping. Of course, to carry the good quality digital means a mule-load of equipment, batteries, drives, chargers, zoom lenses with vibration control, and other such indulgences. Our impulse these days seems to be for the “does-it-all” solution, which of course speaks for the HD video camera that shoots the nice panorama still (if you remember to bring the screw-on wide-angle adaptor). But ultimately, it does not satisfy. If you shoot video, the audio doesn’t make it because there is no sound man, and the stills are too low-res for large applications. The answer is so obvious as to require an apology with its revelation: shoot on some of the film in the fridge. Which, of course, is all about pulling out the M6.
I’m someone who loves things well-made. Anything. Even if I don’t like that category of object. And I’m a photographer, who ultimately still loves the mystery of a photon hitting a light sensitive surface. I will admit I still sometimes pull the old Leicas out of the safe and run through the shutter speeds, several times on each one. That’s what I was taught to do to spread the grease in the shutter. The Leica M series is a wonderful, well-designed, lovingly-made celebration of the human’s ability to craft something that is both machine and artwork.
I hate the contemporary practice, inevitable with technology, of taking the picture and looking at it immediately to decide if that was what you wanted. Confession: I do it too. But how craven.
So to have the result of the evolution of knowledge of camera-making in hand again, and respond to the rigor it demands, is quite a joy. Of course, for the big jobs, it’s not possible not to digitize... between cost and schedule.
And let’s not forget, film has a tremendous footprint.
My hope is that Leica will someday produce a digital reflex camera that uses the wonderful lenses I have kept in pristine condition. Hard to slow the march of progress.
I’m someone who loves things well-made. Anything. Even if I don’t like that category of object. And I’m a photographer, who ultimately still loves the mystery of a photon hitting a light sensitive surface. I will admit I still sometimes pull the old Leicas out of the safe and run through the shutter speeds, several times on each one. That’s what I was taught to do to spread the grease in the shutter. The Leica M series is a wonderful, well-designed, lovingly-made celebration of the human’s ability to craft something that is both machine and artwork.
I hate the contemporary practice, inevitable with technology, of taking the picture and looking at it immediately to decide if that was what you wanted. Confession: I do it too. But how craven.
So to have the result of the evolution of knowledge of camera-making in hand again, and respond to the rigor it demands, is quite a joy. Of course, for the big jobs, it’s not possible not to digitize... between cost and schedule.
And let’s not forget, film has a tremendous footprint.
My hope is that Leica will someday produce a digital reflex camera that uses the wonderful lenses I have kept in pristine condition. Hard to slow the march of progress.
27 April 2009
TODAY SHOW
My segment finally ran this morning. SO COOL! Watch the full segment: http://today.msnbc.msn.com (click watch the show).Thanks to Anne Thompson, Durrell Dawson, and the rest of the crew @ Today for making it happen!
Labels:
Anne Thompson,
environment,
green,
hydro-fracing,
J Henry Fair,
photography,
pollution,
Today Show
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